The collection embraces the period since the beginning of the industrial revolution in England in 1760. One part of the documents witnesses the enthusiasms linked to the development. Another part presents (like Adam Curtis’s documentaries) the process of decline which was rather extended. Social mutations and crises it has produced still apparent until nowadays. This section evokes possible links between the industrial revolution and the musical production. In Great Britain the rock music appears at the moment of decline of the industrial development, so it can be interpreted as its natural consequence.The part consecrated to the city of Manchester embodies this relation of transition. Once being a symbol of the industrial revolution in England, Manchester became a center of rock and punk music. Other significant examples are the genealogy of the rock singer and photographs of Adrian Street who was a miner’s son who chose to become a professional catcher. In JD’s opinion, the photo of this man, clothed as a travesty, and his father in a mine is a real provocation!
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